Home  /  Deadvlei II | Edition of 9 | 80x120cm
Deadvlei II | Edition of 9 | 80x120cm
Deadvlei II | Edition of 9 | 80x120cm
Deadvlei II | Edition of 9 | 80x120cm
Limited Edition

Deadvlei II | Edition of 9 | 80x120cm

Aerial fine art  ·  Tobias Hägg

At Deadvlei in the first light of morning, the dune face catches the sunrise in warm ochre and the dead camel thorn trees cast long shadows across the white clay - the same landscape as the open edition, seen in entirely different light.

Limited edition of 9 - One size: 80×120 cm - Hand-signed & numbered by Tobias Hägg - 308g Hahnemühle fine art paper, matte finish

€749,00

Made to order  ·  Ships in 3–14 days from Stockholm

Request custom size or framing
Museum-grade
archival paper
Free worldwide
shipping above €95
Made to order
Stockholm, Sweden
★★★★★

"The quality of the images was greater than I could have ever hoped for. I am proud to call myself a collector of his work."

Matthew D.  · 

Hand-signed and numbered by Tobias Hägg
Certificate of Authenticity included
308g Hahnemühle fine art paper, matte finish
50mm white border — fits standard frames
Ships in 3–14 days in a protective tube
Lifetime archival quality guaranteed

Deadvlei is a white clay pan inside the Sossusvlei dune field where camel thorn trees died approximately 900 years ago when the dunes shifted and cut off their water supply. The extreme aridity of the Namib preserves them in place indefinitely - their forms unchanged for centuries, the cracked clay beneath them equally still. At sunrise the light arrives from the east and hits the dune face obliquely, revealing the wind-carved texture of the sand in full detail and turning the orange to a warm, almost luminous ochre. The trees, dark against the pale clay floor, cast shadows that give the otherwise flat pan a sense of depth and time of day that the midday image entirely lacks.

Where the open edition version of this subject is graphic and high-contrast, this image is warm and painterly - closer in feeling to a landscape painting than a photograph. At 80×120 cm the scale matches the ambition of the subject and the detail of the dune texture becomes extraordinary. Twenty-nine prints exist of this light.

Craft & Materials

Paper 308g Hahnemühle fine art, matte finish - lifetime archival quality
Border 50mm white border for easy framing
Framing Fits standard frames (not included)
Size 80×120 cm
Edition 9 prints worldwide - hand-signed and numbered by Tobias Hägg
Certificate Certificate of Authenticity included
Delivery 3-14 days, shipped in a protective tube
Shipping Worldwide - free above €95

Paper308g Hahnemühle fine art, matte — lifetime archival quality
Border50mm white border for easy framing
FramingFits standard frames (not included)
Delivery3–14 days, shipped in a protective tube
ShippingWorldwide — free above €95
Free worldwide shipping on all orders above €95. All prints are made to order and ship within 3–14 business days from Stockholm, Sweden, carefully packed in a protective tube. We accept returns within 30 days of delivery for undamaged prints in original packaging.
Every limited edition print is hand-signed and numbered by Tobias Hägg and accompanied by a Certificate of Authenticity confirming the edition number and origin. Once the edition is sold out it will not be reprinted under any circumstances.

Deadvlei II

Deadvlei is a white clay pan inside the Sossusvlei dune field where camel thorn trees died approximately 900 years ago when the dunes shifted and cut off their water supply. The extreme aridity of the Namib preserves them in place indefinitely - their forms unchanged for centuries, the cracked clay beneath them equally still. At sunrise the light arrives from the east and hits the dune face obliquely, revealing the wind-carved texture of the sand in full detail and turning the orange to a warm, almost luminous ochre. The trees, dark against the pale clay floor, cast shadows that give the otherwise flat pan a sense of depth and time of day that the midday image entirely lacks.

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Deadvlei II | Edition of 9 | 80x120cm
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Every image captured from altitude by Tobias Hägg. Printed on archival paper, made to order, shipped worldwide from Stockholm, Sweden.

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