Salt XVI | Useless Loop, Western Australia
From a Cessna above Useless Loop, Western Australia, the salt evaporation ponds of Shark Bay resolve into something closer to a colour field painting than a landscape - hard geometric edges, mineral gradients, no horizon.
Open edition - Aerial fine art by Tobias Hägg - 210g natural white art paper, matte finish
archival paper
shipping above €95
Stockholm, Sweden
"The quality of the images was greater than I could have ever hoped for. I am proud to call myself a collector of his work."
Matthew D. ·
Useless Loop sits on the western edge of Shark Bay, a UNESCO World Heritage coastline in Western Australia where industrial salt harvesting has, by accident, created one of the most visually extraordinary landscapes on the continent. The evaporation ponds are separated by narrow levees and vary in salinity - the colour shifts from pale turquoise to deep rust depending on the concentration of brine algae at each stage of the process. From a Cessna at low altitude, the geometry is absolute: hard lines, flat planes, colours that have no equivalent in nature at ground level.
This is a print that reads as pure abstraction from across a room and rewards close inspection for the texture and tonal variation within each field. It works in modern, minimal interiors where the wall needs something with visual weight but no narrative demand.
Craft & Materials
| Paper | 210g natural white art paper, matte finish - lifetime archival quality |
| Border | 50mm white border for easy framing |
| Framing | Fits standard frames (not included) |
| Sizes | 30×40 cm - 50×70 cm - 70×100 cm - 80×120 cm |
| Delivery | 3-14 days, shipped in a protective tube |
| Shipping | Worldwide - free above €95 |
| Paper | 210g natural white art paper, matte — lifetime archival quality |
| Border | 50mm white border for easy framing |
| Framing | Fits standard frames (not included) |
| Delivery | 3–14 days, shipped in a protective tube |
| Shipping | Worldwide — free above €95 |
Salt XVI
Useless Loop sits on the western edge of Shark Bay, a UNESCO World Heritage coastline in Western Australia where industrial salt harvesting has, by accident, created one of the most visually extraordinary landscapes on the continent. The evaporation ponds are separated by narrow levees and vary in salinity - the colour shifts from pale turquoise to deep rust depending on the concentration of brine algae at each stage of the process. From a Cessna at low altitude, the geometry is absolute: hard lines, flat planes, colours that have no equivalent in nature at ground level. This is a print that reads as pure abstraction from across a room and rewards close inspection for the texture and tonal variation within each field.
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Every image captured from altitude by Tobias Hägg. Printed on archival paper, made to order, shipped worldwide from Stockholm, Sweden.
